RT - 
SR - Electronic
T1 - NEW MORPHOLOGY OF MUSICAL TIME BY K. STOCKHAUSEN (BASED ON THE ARTICLE “WIE DIE ZEIT VERGEHT”)
SP - 2024-03-26
A1 - Litvikh, E V
A1 - Timoshenko, A A
A1 - Pigina, N V
YR - 2023
UL - https://rep.herzen.spb.ru/publication/13987
AB - The paper considers theoretical statements of K. Stockhausen’s article “Wie die Zeit vergeht” (How time passes). The composer rejects traditional methods of arranging the musical process and searches new, but not less e ective means for arranging musical material in time. The fundamental idea that de ned Stockhausen’s concept was the understanding of the uni ed nature of the duration, pitch and timbre of sound - all of these parameters are determined by the vibrations of a sounding body. A consequence of this discovery is the development of an extremely di erentiated system of durations (analogous to the division of the octave into 12 semitones), which subsequently leads the composer to the idea of a “ eld” (the range of possible values of durations, pitches, etc.), which replaced the concept of “point” ( xed values). The article also examines the parallels between the ideas of Stockhausen and some scienti c and philosophical concepts of the 20th century.